Symphonie Liturgique | |
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No. 3 | |
by Arthur Honegger | |
Based on |
|
Composed | 1945 | –1946
Dedication | Charles Munch |
Performed | 17 August 1946 : Zürich |
Movements | three |
Symphonie Liturgique is the third symphony by the Swiss composer Arthur Honegger.
Composed in the aftermath of World War II, it is one of Honegger's best-known works. [1] It is in three movements, each of which (following the symphony's subtitle) is named after a liturgical text. The first movement is named after the Dies irae from the Requiem Mass. It is marked allegro marcato, and has an aggressive, storm-like quality. The slow movement, named De profundis clamavi after Psalm 130, is in contrast meditative and lyrical. The finale, named after the Dona nobis pacem from the Mass, is more episodic, with an insistent, brutal marching rhythm building to a dissonant climax, before a long, lyrical coda concludes the work. A melody resembling the robin song from Jeanne d'Arc au Bûcher , can be heard towards the end of each movement.
Honegger himself wrote an extensive commentary on the work, making explicit the music's connection with the horrors of the War, and the desire for peace. [2] [3]
Written in 1945-46 on a commission from the Foundation Pro Helvetia , [4] Honegger's Third was first performed in Zürich on 17 August 1946 with Charles Munch conducting the Suisse Romande Orchestra. Munch made a live recording of the work in Prague with the Boston Symphony Orchestra in 1956, which has been released by the Multisonic label. The symphony has been performed and recorded many times and was a specialty of Herbert von Karajan, who made a recording of it (with Honegger's Second Symphony) in 1969, [5] which is still widely regarded as one of its finest interpretations. [3]
The Symphonie Liturgique has strong thematic similarities with Benjamin Britten's Sinfonia da Requiem written in 1940, although it is in no sense imitative or a reworking of the earlier piece.
Arthur Honegger was a Swiss composer who was born in France and lived a large part of his life in Paris. Honegger was a member of Les Six. For Halbreich, Jeanne d'Arc au bûcher is "more even than Le Roi David or Pacific 231, his most universally popular work".
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. A typical performance takes about 75 to 90 minutes. A survey of conductors voted Mahler's Symphony No. 9 the fourth greatest symphony of all time in a ballot conducted by BBC Music Magazine in 2016. As in the case of his earlier Das Lied von der Erde, Mahler did not live to see his Symphony No. 9 performed.
Charles Munch was an Alsatian French symphonic conductor and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the Boston Symphony Orchestra.
Seiji Ozawa was a Japanese conductor known internationally for his work as music director of the Toronto Symphony Orchestra, the San Francisco Symphony, and especially the Boston Symphony Orchestra (BSO), where he served from 1973 for 29 years. After conducting the Vienna New Year's Concert in 2002, he was director of the Vienna State Opera until 2010. In Japan, he founded the Saito Kinen Orchestra in 1984, their festival in 1992, and the Tokyo Opera Nomori in 2005.
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The Symphony No. 1 by Swiss composer Arthur Honegger is a work for orchestra, written between December 1929 and May 1930 for the fiftieth anniversary of the Boston Symphony Orchestra. Its first performance was given in Boston on February 13, 1931, under Serge Koussevitzky.
The Symphony No. 4 by Swiss composer Arthur Honegger is a work for orchestra, written in 1946 on a commission from Paul Sacher. Subtitled Deliciæ Basilienses, it was first performed on 21 January 1947, by the chamber orchestra Basler Kammerorchester under Sacher. On the same program were the premieres of two other works commissioned by Sacher: Igor Stravinsky's Concerto in D and Bohuslav Martinů's Toccata e due Canzoni.
The Symphony No. 5 by Swiss composer Arthur Honegger is a three-movement work for orchestra written in the autumn of 1950. Its subtitle Di tre re is a reference to the D (re) played by the solo timpani and basses at the end of each movement. It was commissioned by the Natalie Koussevitzky Foundation and first performed on March 9, 1951, by the Boston Symphony Orchestra under Charles Munch.
The Symphony for Solo Piano is a large-scale romantic work for piano composed by Charles-Valentin Alkan and published in 1857.
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Divertimento, or Divertimento for Orchestra, is a suite of eight orchestral bagatelles by American composer Leonard Bernstein. Completed in 1980 and written to celebrate the centenary of the Boston Symphony Orchestra, it is well-known for featuring the notes B and C in most of its melodic material.